Abbass Tarhini, Rethinking Islamic Art and Aesthetics in the Digital Age: Exploring the Challenges and Opportunities of Digital Technology in the Production, Dissemination, and Reception of Islamic Art, Cy Cergy Paris University, FranceAbdullah Awad, Islam, Adorno, and Aesthetic Theory, Institute For Critical Thought, University of Cambridge, JordanAdnan Fallahi, Cultural Roots of Jurisprudential Disputes Over Art: Music and Zi al-Ajam (the Ajam costume), Ministry of Education, IranChokchai Wongtanee, Al-Qur’an from the Sultanate of the Ottoman Empire: An Aesthetic Tool for Reconciliation, Uplifting nationality (Ummah) and the Spirit of Siamese-Patani Muslims, Prince of Songkla University, ThailandKatya Nosyreva, Lines of Transmission: Abu’l-Wafaʾ al-Buzjani ’s Text and the Contemporary Study of Islamic Geometric Patterns, Independent and Prince’S Foundation School of Traditional Arts, United KingdomMelike Sıla Acar Kaya, Embodying Ramadan: Islamic Aesthetics, Spirituality and the Production of Space in Ramadan Studios of Turkish Televisions, Yildiz Technical University/ Tigris Development Agency, TürkiyeMusab Iqbal, Poetic Thinking: Resistance to Technologization of Being, University of Westminster, United KingdomNezih Enes Evren, An Inquiry into the Mathematical Construction Background of Islamic Arts, Orta Doğu Teknik University, TürkiyeOdil Ernazarov, The educational value of introducing the epigraphic writings in the Islamic monuments to the young generation: the example of the city of Tashkent, International Islamic Academy of Uzbekistan, UzbekistanSyed T. Raza, Arts and Aesthetics in the Muslim World: Non-Arab Innovation Cases from India and China, Aligarh Muslim University, IndiaWasamon Sanasen, Applying Islamic Art with Art of Other Cultures: A Case Study of Islamic Motif in Northeastern Thailand Woven Fabric “Lekanis” Brand, King Mongkut’S Institute of Technology Ladkrabang, ThailandYasmine Elargui, Exploring Islamic Aesthetics as an Alternative Way to Knowledge: Principles, Contributions, Applications, and Limitations, Académie D’Art De Carthage, Tunisia

Abdullah Haidar, Evania Herindar, Fauziah Chairiyatia, Seberang City Jambi Arts and Culture Institute, Get to Know Kompangan And Hadrah As Jambi Malay Traditional Art, Values Activation Consultant, IndonesiaAdilia Iulgusheva, Islamic Art and Muslims: the Levels of Engagement, Granada University, Russian FederationBouchra Chougrani, The travelogue and foreign view on the artistic productions of Muslim women, Chouaib Doukkali University, MoroccoIsha Suhail, Reviving the Chromatic Legacy: Exploring the Colors of Kashi Kari in Architecture of Pakistan, Mimar Sinan Güzel Sanatlar University, TürkiyeLoubna El-Liazidi, That Thing We Call Beauty: Islamic Mystical Aesthetics from an Object-Oriented Ontological Perspective, Sultan Moulay Slimane University (Usms), MoroccoMehmet Salih Babacan, Music The Common Way to Chant Allah, Marmara University, TürkiyeMeysam Yazdi, The Soft Power of Contemporary Islamic Art in Nation and Muslim Branding, Islamic Azad University, IranMüberra Kandemir, Donning a Beautiful Dress: The relation between al-Ihsân and al-Muhsīn in Ibn Arabī Thought, Marmara University, TürkiyeNourelhoda Hussein, ‘God created every craftsman and his craft’: Spirituality, Morality and Social Arrangement of Traditional Craftsmanship in Egypt (from the 16th to 19th century), Nottingham Trent University, UKSevda Moghaddami, Content Analysis of İllustration of Mawlanas Marvels in Ottoman Miniature (Case Study: İllustrared Editions of Sawaqib alManaqib Auliya Allah), Tabriz Islamic Art University, IranSeyyed Abbas Haghayeghi, The useless definition of ”Traditional Art”, University of Religions and Denominations, IranShunhua Jın, Two Chinese scrolls of Mecca– on the Pattern of Ka’ba in pilgrimage art, Aix-Marseille Université, FranceSümeyye Cinisli, Between Two Patrons: Ahmed Pasha’s Qasidas Written for Mehmed II and Sheikh Vefâ, Boğaziçi University, TurkeyTayebeh Beheshti,  Layout Design in the Manuscript of Baysunghur Shahnameh Reserverd in the Golestan Palace Museum of Iran, Dr. Islamic Azad University of Iran (Parand Branch), IranYasemin Sönmez, Transformation of space with calligraphy: The example of Hagia Sophia Mosque, Fatih Sultan Mehmet Vakıf University, Türkiye

Theoretical Framework of Islamic Aesthetics Quranic Roots of Islamic ArtsMystical Interpretation of Islamic Arts: Sufi Thought or Perennial PhilosophySacred Geometry and Symbolism in Islamic ArtBeauty, Truth and Goodness: Perception of Value in Islamic AestheticsCritical Rethinking of Islamic Art Concepts: “Ilm al-Jamâl” and “Ihsan”Islamic Sense of AestheticsIslamic Aesthetics from the Western PerspectivesMethodology Problem in Islamic ArtsRole of Art in Knowledge TransmissionIslamic Aesthetics as an Alternative Way to KnowledgeThe Problem of Meaning in Islamic Arts: Muslim Interpretations of Orientalist DiscoursesThe “Islamization” of Art in the Postcolonial World

Islamic Arts in the Digital AgeInnovation and Conservatism: Rethinking the Concepts of Tradition and Traditional ArtThe Importance of Art in Daily LifeIslamic Art and Social MemoryAesthetic Dimensions of Acculturation and Culture ProductionSense of Beauty and Pleasure in the Consumer SocietyVisual Culture and Environment Awareness Islamic Arts and Cultural NationalismIslamic Aesthetics in the Context of the Clash of CivilizationThe Art Factor in Cultural DiplomacyArt as a Political Legitimacy InstrumentCinema: Aesthetic Propaganda on the Global Scene